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Out-of-work Chinese actors turn to theme parks as immersive characters after AI squeezes short-drama jobs_我的网站

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    Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions. 
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers. 
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions. 
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times. 
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024. 
At the industry's peak, he moved seamlessly between sets. 
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path. 
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot. 
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
    Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day. 
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025. 
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism. 
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said. 
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment. 
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said. 
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself. 
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
。    〈사진출처=연합뉴스〉 김윤덕 국토교통부 장관이 "그린벨트에 대해 전향적으로 검토하겠다는 서울시 입장에 환영을 표한다"고 말한 데 대해 서울시가 "용산공원 내 주택공급 방침 철회를 전제로 한 것이었다"고 해명했습니다. 오세훈 서울시장과 김윤덕 국토교통부 장관이 오늘(26일) 서울의 한 식당에서 만나 주택 공급 등의 문제를 협의했습니다. 김 장관은 만남 이후 자신의 SNS를 통해 "결과적으로 합의에 이르지 못했으나, 그린벨트에 대해 전향적으로 검토하겠다는 서울시의 입장에 환영을 표한다"고 말했습니다. 그러자 서울시도 곧바로 입장문을 내고 "서울시가 말한 그린벨트 검토는 정부가 용산공원 내 주택공급 방침을 철회한다는 것을 전제로, 이미 훼손돼 보전가치가 낮은 일부 그린벨트 해제를 검토할 수 있다는 취지"라고 밝혔습니다. 그러면서, 서울시는 "정부가 현실 불가능한 용산공원 주장을 내려놓는다면 탄천물재생센터를 비롯한 대체부지와 훼손된 그린벨트 등 서울의 주택공급 확대를 위한 합리적인 방안을 얼마든지 함께 논의할 준비가 돼 있다"고 설명했습니다. 서울시는 '용산공원 주택공급 불가' 입장을 강조하고 있지만 김 장관은 전혀 다른 생각입니다. 김 장관은 서울시에 "'어떤 경우에도 용산 미군 반환부지 내에 절대 집을 지을 수 없다'는 용산 불가론만 고수해선 안 된다"면서 "장교 숙소 등 이미 훼손된 부지 일부를 활용하는 것과 그에 대한 공론화 절차에 대해서도 열린 마음으로 동참해 달라"고 요구했습니다. 두 사람은 다음 주쯤 다시 만나 용산공원과 서울시가 제시한 탄천물재생센터 부지 등을 놓고 이견을 좁혀나갈 예정입니다.。

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Published on:07:04:31